Books using use of book antiqua font pro#

You might be surprised how much difference a half-point (or even a quarter-point) can make on the overall 'feel' of the page. If 12 points looks too big and 11 too small, you can try 11.5 - no need to stick with integer sizes. Most trade paperback books are printed in 10 or 11 point size, but some fonts require larger - or even smaller - sizes. Never decide on your font or font size by looking at your monitor. Such decisions should be made with care and thoughtful consideration for the effects on readability. Maybe the book is a humor book for which the designer chose a lighthearted font, for example. You may run across some books with more unusual font choices, but there are often good reasons for it. If you ask other designers, you will likely get other suggestions, but I wouldn't be surprised to see at least some of the above included in their recommendations. Such things can make the reading experience annoying. 'cl' (c l) that looks like the letter 'd'.'vv' (double v) that looks like the letter 'w'.You want to avoid little confusions, like: You need to look at several paragraphs of each font to see what, if any, adjustments you may find necessary in things like character spacing and kerning.

Century Schoolbook (tends to be a bit wide, creating extra pages)Īvoid Confusions with Respect to Character Spacing & Kerning.

Bookman (the name sort of gives it away, doesn't it?).

Books using use of book antiqua font pro#

Adobe Garamond Pro (tends to have a short x-height, so it might seem too small in typical sizes).Book Antiqua (tends to set tight, so you may have to loosen it up a bit).We may select a specialty font for use on the front cover for the title and subtitle.įor 90% of books, any of the following fonts are excellent choices: (or maybe just a different size, weight, or style of one of the other two). Depending on the book, we may select a third font for captions on photos, graphics, tables, etc. And never use more than a very few fonts in a single book - we usually choose one serif font for the main text body, a sans serif for chapter titles and headings within the chapters. Most are specialty fonts suitable for titles, headlines, advertising, emotional impact, etc. Don't get carried away with the thousands of font choices available They tend to become too faint and affect readability. If your book will be printed digitally, you should steer away from fonts with segments that are very thin. If you look closely at most serif fonts (like Times), you will notice that there are thick and thin portions of each letter.

The typeface may depend on how your book will be printed Here are two caveats before proceeding to few recommendations: 1. The font tends to set very tight, making the text block on the page dense and dark. How, or why, it became a word processing standard, I have no idea. Today, almost no newspapers still use it. Times Roman and Times New Roman were designed for the narrow columns of newspapers, originally for the London Times back in the 1930s. And there are other, very practical, reasons for not using it. It will make your product look very unprofessional. We are told one thing by multiple sources though : don’t use Times New Roman or Times Roman. Say “No” to Times New Roman or Time Roman You’ll get a different answer from almost everyone you ask. One of the most common questions asked by would-be self-publishers who are intent on designing and typesetting their book themselves is, “ What font should I use?” When people are asking this question it shows us that they are at least thinking about their selections.